Friday, November 24, 2006

Passively Multiplayer Online Games

Come back and spend some time looking over this site. It's an interesting premise.

Passively Multiplayer is a system for turning user data into ongoing play. Using computer and mobile phone surveillance, a user and their unique history. These resulting avatars can be viewed online, and they interact with other avatars online.

Passively Multiplayer Online Games

While I'm here, the article on SmartMobs.

Smart Mobs: Justin Hall tells Annenberg Center seminar about passively multiplayer online games

Justin wants to experience the same visible sense of goal-oriented progress he gets in World of Warcraft when he looks at his screens and sees exactly what level his activities have earned him. What if you could get points of various kinds for various activities, and compete with your friends? What if you and your friends and their friends could constitute a sufficiently large population to add collaborative filtering to the mix -- making recommendations for things to learn, see, hear play, do?

Corp-pocalypse - Chapter 1

Counting down to broadcast armageddon.

"THE ABC's director of television, Kim Dalton, has stopped production of the network's only new children's program fornext year because he does not want to spend the money internally.

ABC staff who worked on the pilot said there was a chance the concept, in which three animal puppets look after real farm animals, would be an international hit like Bananas in Pyjamas. Bananas brought in tens of millions of dollars to the ABC."


**UPDATE**
Should just point out the article that ran the day after.



Aah, journalism in action. Don't like what they have to say today? Wait until tomorrow.

Monday, November 20, 2006

Fake it and they will come

The birth of an internet phenomenon.

"(LonelyGirl15 Co-Creator, Miles) Beckett is clearly frustrated. "The Web isn't just a support system for hit TV shows," he says. "It's a new medium. It requires new storytelling techniques. The way the networks look at the Internet now is like the early days of TV, when announcers would just read radio scripts on camera. It was boring in the same way all this supplemental material is boring."

What's needed, he says, is content that's built specifically for the Web. It doesn't need to be lit like a film -- that would make it feel less real. The camera work should be simple. There shouldn't be a disembodied third-person camera -- a character is always filming the action. Each episode needs to be short, no more than three minutes. "You wouldn't show a sitcom at a movie theater, right?" Beckett says. "You make movies for the big screen, sitcoms for TV, and something else entirely for the Internet. That's the lesson of Lonelygirl15.""

I'm a little surpried it's still going forward after the "revelation" of a few months back. Suspension of disbelief in action.

Friday, November 17, 2006

The Comment Challenge continues

It's been a month. Still no end to the Comment Challenge in sight.

What do I have to do to get a response? Maybe it's because I haven't offered anything in payment.
No one wants to bother if there's nothing in it for them. Perhaps I need to offer to go vegetarian for a week, or do someone's laundry for a month, or offer money! Would that do it?

Note to potential sponsors - look elsewhere. No one comes here but me.

The Avid :30 Spot Contest

Avid may have gone off the boil somewhat with their products in recent years, but someone in their marketing department has been listening to what's happening out there.

So, you've got a series of products aimed at creating video content, with a creative and skilled user base who tend to be more than a little devoted to the brand. What better than to cash in a little of your user devotion and get them to create ads for you!


The next step - the entries are being shown at moviemaker.com so people can vote for a favourite, but it will be interesting to see if the clips are able to be spread "into the wild". Similarly, it will be interesting to see how they handle the possibility of negative, disparaging or farcical interpretations, or whether they just won't qualify.

BTW, in the interests of transparency, the link above is to a sponsor of the event, BeatSuite.com. These guys sell Royalty Free music and effects and I'm in the process of deciding if I'm interested in doing a little quid pro quo with them. I'm still undecided about the business model of copyright in the world of digital reproduction, but the site is legit with a professional broadcast quality product. They even have some freebies which, based on my reading of the terms and conditions, fall under their "Standard License" (any non-broadcast use up to a maximum of 1000 copies) which is a hell of a lot better than the freebies offered at the laughingly named "Freeplay Music".
Anyway, just thought you should know.

Thursday, November 16, 2006

Blinkx Video Wall

So here's what's so cool. Blinkx is a video search engine. They've come up with this very nifty means of displaying search results, a "video wall" of relevant videos built into a Flash interface. Best of all, the wall can be embedded in a separate site (such as I've done here - give it time to load), and the results are constantly updated using RSS so what's here now isn't what's going to be here tomorrow.



Downside - The search was for "Adobe Premiere Tutorials". What I tended to get was "Adobe Photoshop Tutorials". Close, but not quite. Besides, it's so cool who cares if the search is a little out?

The Zune is incompatible with Vista | ZDNet.com




Who runs these companies?

Sell-out claim on AFL TV deal | The Australian

You cannot begin to believe how hard I'm fighting simultaneous urges to scream, retch, laugh and point my finger in an accusing manner.

"AUSTRALIAN football rights holders Channel 7 and Channel10 are looking to community television stations in Sydney and Brisbane to meet their obligation to broadcast eight live AFL games a week and avoid a financial black hole on Friday and Sunday nights.


It is understood the AFL consortium of Seven and Ten has drawn up contingency plans to purchase air time on TVS and the Brisbane community station Briz31 if no agreement can be reached with pay-TV provider Foxtel."

As someone who was part of the launch of Briz 31 back in 94 and who heard the snide derision that flowed down the mountain to that West End studio I can't begin to explain what I think of this. Not without risking getting this blog banned.

Monday, November 13, 2006

Attention Australian Video and Filmmakers!!!

The ABC's Australia Wide program is looking for new filmmakers for its weekly "Video Lives" segment. This is a great chance for people, young or old, with a story to tell to get their content out to a pretty big audience.

General FAQ

Who can submit a video?

Anyone resident in Australia. Please note that although you can get friends and colleagues to help you make the video, you must submit your video as an individual and not as a group or company. The exceptions to this are schools, school groups or classes. Australians living outside of Australia are welcome to contribute but the video must be set in Australia.


Wednesday, November 08, 2006

No time to talk!

Things to learn, stuff to do. Exam tomorrow. Finally got Blog-This extension to work with 2.0 thanks to a workaround shared on the extension's site's comment section. The power of community.

More later.

Tuesday, October 17, 2006

Fox uses Treo's live video to cover plane crash | CNET News.com

Mentioned this one around the news room. No doubt it's going to pop up in projects down the track.

When a single-engine plane crashed into an Upper East Side apartment building on Wednesday, Fox News Channel delivered early live video to its viewers from the crash site using a handheld mobile phone souped up with streaming video.

Scott Wilder, a cameraman for the network, had been about 20 blocks away on another assignment when the crash occurred. Wilder ran uptown and reported live from the scene using a Palm Treo smart phone that uses the existing mobile network to transmit video to the Fox News control room. From there, Fox News sent it out live on TV to supplement other video being shot by local traffic helicopters...

CometVision runs on a Palm Treo 700-series PDA via the Windows Mobile operating system. The technology is able to transmit video over non-3G networks, using much less bandwidth than would normally be needed, Comet CEO Howard Becker said.

"We have it set up so you can push one button" and then it starts to work, Becker said. That includes automatically connecting to a computer at the Fox News studio, and sending an e-mail to a producer or anyone else at the network who has a link to the live stream."

The telling quote...

"It'll be used more when the picture itself is of higher quality," (Fox News' vice president of newsgathering, John) Stack said. "It's OK now but it could get better. It depends on the nature of the story. If it's an important enough story, we are more forgiving of picture quality and hopefully the audience is more forgiving."

The Comment Challenge - Extended

I'm out of town until Sunday so I've extended the Comment Challenge until then because the one week timeframe would have run out while I was away.

Ignore at will. I know you will.

YouTube: Sharing Loneliness Together | Reel Pop

Since it launched in August, I've been really enjoying Steve Bryant's ReelPop blog. In particular, I enjoyed this line from a recent post responding to a New York Times article about YouTube.

"T.S. Eliot once said that television was a device by which millions of people could share a joke alone.

I guess that makes YouTube a device by which millions of people can share their loneliness together."

Wednesday, October 11, 2006

The Long Zoom - New York Times

This article by author Steven Johnson is, ostensibly, about the game Spore that I mentioned late last month, but is particularly interesting thanks to the lead-in paragraphs.

"Most eras have distinct “ways of seeing” that end up defining the period in retrospect: the fixed perspective of Renaissance art, the scattered collages of Cubism, the rapid-fire cuts introduced by MTV and the channel-surfing of the 80’s. Our own defining view is what you might call the long zoom: the satellites tracking in on license-plate numbers in the spy movies; the Google maps in which a few clicks take you from a view of an entire region to the roof of your house; the opening shot in “Fight Club” that pulls out from Edward Norton’s synapses all the way to his quivering face as he stares into the muzzle of a revolver; the fractal geometry of chaos theory in which each new scale reveals endless complexity. And this is not just a way of seeing but also a way of thinking: moving conceptually from the scale of DNA to the scale of personality all the way up to social movements and politics — and back again."

Come for the game review, stay for the concepts.

The Comment Challenge only lasts 3 days!

Thanks to The Fiend, my Comment Challenge I set on Sunday has been defeated already only three days in.

I tend to think of this as an abnormality, not having had a previous comment in at least six months (in fact Simon mentions that the reason he'd dropped by was to see if I had anything to say about Google and YouTube - not an everyday occurrence), so I pose the same challenge now. Figuring I'm the only one who actually visits and reads this blog I posit that I will have no comments within the next week, other than perhaps Simon who may pop back in to see if I've replied to his comment.

Let's see how this one goes.

Tuesday, October 10, 2006

Gary Trudeau - The Man knows

The first actual item I wrote for this blog, after a "Hi, I'm here", was about American cartoonist Gary Trudeau and his use of blogs, internet articles, even flash mobs in his syndicated Doonesbury cartoon. Mr Trudeau has done it again, extending his push into blogging as a means of extending free speech.

[Introduced in cartoon by regular character Ray Hightower]
"Hey folks! You may have heard how dangerous it's become for the Press to cover operations OIF and OEF. Result: The public feels increasingly disconnected from the troops in the field. Solution: Let the troops report on themselves!
Presenting the Sandbox - our command-wide milblog! Starting today, GWOT-LIT has a new home, and it's exclusively at Doonesbury.com."


And so we have a simple blog interface, based on Typepad, for service personnel, and their significant others, to tell their story.

"It all comes back to me, in dribs and drabs. In the morning, I open my eyes and think of the thoughts that have bounced around the inside of my brain-housing group. And then KM6 (my wife) chimes in. She's nervous of what the future might bring, and, her being a little more liberal than I, is worried what the world might drop on us. Her eyes meet mine, and she adds one last thought to my pondering:

"All that is required for evil to prevail is for good men to do nothing."

And then she tells me that she's proud of me..."


5 days remain in the Comment challenge...

Lucasfilm to create the small Blockbuster?

"Spending $100 million on production costs and another $100 million on P&A makes no sense, (Lucas) said. "For that same $200 million, I can make 50-60 two-hour movies. That's 120 hours as opposed to two hours. In the future market, that's where it's going to land, because it's going to be all pay-per-view and downloadable."

Debate as to his directorial abilities remains alive to this day, but no one can deny that the guy knows what's what. I'm looking forward to seeing the next Star Wars episodes available on GoogleTube.


Sunday, October 08, 2006

And what's this big deal with HD cameras?

While I'm in the groove and posting content that extends beyond being a simple link to something cool, can I ask why I'm hearing so many people getting excited about people doing "internet HD"?

Jeff Jarvis seems to be the most recent culprit,

"Then they set up in the den with lights, a decent mic, an HD camera set to focus on Amanda and me on the couch in front of the books that make me look smart, and with two of them roaming with two more video cameras and a third shooting stills. It was a three-camera shoot! Cable networks and sitcoms don’t use three-camera shoots anymore. On top of that, it was in HDTV."

Yeah! Great. HD. So what?

This may be my ignorance here, and I'm not entirely down with the state of HD in the States, but I can't see HD being any big factor in Internet video (vlogs, vodcasts) at this point. When was the last time you saw someone, anyone, break beyond a 512x288, square pixel resolution? Even the interview mentioned by Mr Jarvis was only 480x272. The last I checked, this is well inside standard definition resolutions.

At this point I can think of only four reasons to even use a HD camera, and only one of them (2) is compelling to me.

1) Extra resolution to play with- This allows for further cropping of the image to create more cinematic aspect ratios, such as 1.85:1 or even 2.40:1. Speeds just aren't up to scratch to use the HD resolution to its full.

2) Better electronics - Just about all modern video cameras come as HD as standard with the ability to downconvert to DV SD, which is likely to be what's really happening (HDV being such a bitch to edit properly without an intermediary codec). Modern camera, better electronics, may as well make the most of it. But that ain't HD.

3) The ability to do Cross-Platform to HDTV - Always a nice option to be able to step it up should negotiations with that cable station pick up halfway through shooting, but if there's no plan for it in the Pre-Prod phase, it's really a bit of a waste.

4) The Buzz - It obviously helps to be able to say "Now shot in Hi-Definition", like old TV shows had the "Now in Colour" super over people's black & white TV sets. The difference is, there is no real HD alternative. At least with colour you could go out and buy a new colour TV set.

As always, I'm ready and willing to hear alternate views. Still 7 days in my comment challenge, so have at it!

Friday, October 06, 2006

Some thoughts from Melbourne

Right, back at work for today. The conference is over and I get to be thrown back into the hurly burly of everyday life. While I sit here, an hour after my proposed knock-off time, waiting for a promo DVD and some troublesome transcoding, I figured I'd get some of my ideas out.

First up, what's with Melbourne?!? Chilly Wednesday morning, dry and hot Wednesday afternoon and evening, cold, windy and overcast Thursday. Crazy town. I preferred it the last time it was there and the temperature ranged from a blustery 6 degrees, to a balmy 6 degrees. At least I had time to adjust.

Would have loved to have got to see the Picasso exhibit, but alas it wasn't to be. Apologies to Melbouorne friends, but there just wasn't time to catch up.

Irony quotient for the two days - keep in mind the title of the conference is New Realities: Beyond Broadcasting.

(In a Southbank men's room)
Me: "If I'd known you were going to play that clip I'd have worn my ZeFrank T-shirt."
Him: "Aw yeah, isn't he great? I reckon it's only a matter of time before he gets his own T.V. show."

Something doesn't strike me as being quite right here...

[EDIT] I had a thought about this and want to make a few things clear, in case someone with a connection to all this should pass by.
I'm not implying that the other participant in this conversation was some sort of hypocrite. I mean, the irony of the statement didn't strike me until late the next day so I'm hardly immune to criticism. This is just the mentality that some of us have as a result of the current mediascape; Cinema at the top, then TV, newspapers/radio battling it out for third, then the internet as the newcomer. It's hardcoded into our brains at the moment, but something we can be aware of and try to think around.

Jennifer Wilson from HWW made a comment that while talking to one of her competitors they made the distinction between television and video on demand as (and I'm going on memory here, so if the quote's not entire accurate I apologise) "if it's scheduled and you can't interact with it, it's television. If it's not scheduled and you can do what you want with it it's Video-on-Demand." The feeling here was that this was somehow wrong, that the term television is one that should be more open to interpretation. It's a feeling expressed recently by Jeff Jarvis of Blogmachine when interviewed by Amanda Congdon ("I argued, in turn, that the definition of TV is up for grabs and that (Amanda) should grab it: Don’t let the big, old guys define and own TV."). I just can't agree with either point. To me the term television is not just "video/pictures over a long distance" as the etymology of the word would indicate, but has picked up all sorts of baggage over the last 50 years. The big, old guys DO own T.V. as evidenced by that self-congratulatory exercise they went through a few weeks back to celebrate 50 years of Australian T.V. They own the infrastructure, they own the broadcast spectrum, they own the process. Even if you create video at home and it gets played at a scheduled time from a broadcast centre, it's television. I say let's avoid calling it television (for the record, I hate "vlog" and "vodcast" even more). Let's not allow names and terms to create a definition, but rather let innovation and creativity define the scope of what's possible.

In a world of broadcasting where schedule is everything, I think I've figured out why so many men are at the top of the totem pole in the live news arena. The whole thing follows the neoFreudian concept of narrative as being akin to the male sexual impulse. The day starts with a single goal in mind, slowly building momentum until the frenzied and focused moment of broadcast. Climax is short and sweet by comparison to the buildup, with the occasional disaster, and it's all nicely wrapped up at the end with a quick "how was that for you?" before getting out of Dodge as quickly as possible. The next day everything before is forgotten in the mad rush to hit the next scheduled broadcast time.
And on it goes.

If I haven't done anything about it in a year's time I want to come back here and be able to have this poke me in the eye to remind me how slack I am with using my ideas to their full potential:
Use the company's public trust to help guide some of the less adventurous into the new technology, because if they won't trust us, who will they trust? You know what that means.
The GreyPlayer. Figure it out, future-me. Don't make come up there and slap you round.

If we want to disrupt the schedule, then let's really disrupt! Create a program accesible only through an ARG, Beast style. Make the audience work, create a feeling of exclusivity. Create and foster community to assist those who can't get the clues, but want to follow the ride. Be adventurous. Make it "pirate". Will the punters hack it to pieces as hoax like they did with LG15? Guess it depends on how you front it. If they know up front that it's a game, if they know it's corp, but aimed at them, it enables the narrative to be built. Programs can go live at any time, completely unscheduled. The product isn't just repurposed, it's net only for one part, radio only for another, elements and clues dropped into TV. Disavow public knowledge of its existence, with a wink and a smile to the audience. Scare the bejeezus out of the marketing people!!!!!

The future's there if we have the proverbials to grab it.

[ADDITIONAL COMMENT] Blogs as conversation.
Ha! There's no conversation here. Sure it happens with some blogs, but for most of us it's just ranting to ourselves, posting links to stuff we find interesting for archive purposes, and knowing we can dig through in a year, two year's time and take a look at stuff we find interesting.

Don't believe me? Then comment!! I would wager that this post doesn't get a single comment within one week from today (Sunday 8th), even with me posting the challenge. There's no conversation here, just me and a bunch people using Google Images to look for that damn LotR-WoW mashup.

News At Seven | Northwestern Infolab

I'm out of town for two days, this pops up.

The new generation of Max Headroom.

"News At Seven is a system that automatically generates a virtual news show. Totally autonomous, it collects, parses, edits and organizes news stories and then passes the formatted content to an artificial anchor for presentation. Using the resources present on the web, the system goes beyond the straight text of the news stories to also retrieve relevant images and blogs with commentary on the topics to be presented.

Once it has assembled and edited its material, News At Seven presents it to the audience using a graphical game engine and text-to-speech (TTS) technology in a manner similar to the nightly news watched regularly by millions of Americans."



Too much fun, especially around the 1:50 mark (why does she keep looking off screen?)